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A series Sarah made during a residency in Brasilia in 2009. In this series Sarah confronts her own body to the constructed landscape of Brasilia and questions the way we move in a space and inhabit the space. At once behind and in front of the camera, Sarah is the “anti-subject” of the image; her abandoned body is mainly used as an object that adapts to its environment by imitating form, colour, shape or function. The actions are exaggerated in order to show the eldritch and eerie relationship with contemporary form of space. Beneath the surface the photographs question the utopian motivation of architects and planners.